
But sadly (or not, depending on your point of view) it's not Canadian bridges or Pip and Estella's connubial bliss that he's known for. Bulwer-Lytton is known for really bad writing. In addition to making sure Canadians had roads and bridges and telling Dickens how to end his novels, he also wrote novels of his own. One of them, Paul Clifford, begins:
It was a dark and stormy night; the rain fell in torrents--except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.
Many of you probably recognize the first clause of that sentence as the opening for many of

Cheryl’s mind turned like the vanes of a wind-powered turbine, chopping her sparrow-like thoughts into bloody pieces that fell onto a growing pile of forgotten memories.
Wearily approaching the murder scene of Jeannie and Quentin Rose and needing to determine if this was the handiwork of the Scented Strangler--who had a twisted affinity for spraying his victims with his signature raspberry cologne--or that of a copycat, burnt-out insomniac detective Sonny Kirkland was sure of one thing: he’d have to stop and smell the Roses.
You can read the others here.
2 comments:
See, I was just so disappointed the lines were MADE UP.
I think you should take one of those first lines and write an entire novel to go with it.
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